TV formats and copyright: a peruvian and international case law approach
DOI:
https://doi.org/10.18800/derechopucp.201501.006Keywords:
copyright, tv formats, audiovisual productionsAbstract
TV formats are one of the most used mechanisms in the audiovisual industry. Their protection by copyright is a subject of academic debate which reflects in the diverse international and national jurisprudence on the matter. This article aims to give a brief review of some theoretical aspects regarding the type of protection provided by copyright to audiovisual productions, providinga case law approach on recent Peruvian and international jurisprudence.
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References
Antequera, Ricardo (2012). Derechos intelectuales y derecho a la imagen en la jurisprudencia comparada. Madrid: Reus, p. 168.
Bergman, Jessica (2011). No More Format Disputes. Journal of Business, Entrepreneurship & The Law, 4, 2, pp. 255ss.
CBS Broadcasting, Inc. v. ABC, Inc., 2003 U.S. Dist. LEXIS 20258 (S.D. N.Y. Jan. 14, 2003).
Fox Family Prop. Inc. v. CBS, Inc., 00-CV-11482 (C.D. Cal. Oct. 27, 2000).
Gaffoglio, Gisela. Formatos televisivos. Su protección legal bajo el sistema de derecho de autor. Tendencias (http://www.justiniano.com/revista_doctrina/Gafoglio/televisivos.htm).
http://www.cerlalc.org/derechoenlinea/dar/index.php?mode=archivo&id=2367.
L.A. Printex Industries, Inc. v. Aeropostale, Inc., 676 F.3d 841, 846 (9th Cir. 2012) y Feist Publications, Inc. v. Rural Tel. Serv. Co., 499 U.S. 340, 361 (1991), citadas por la Corte, y, adicionalmente, Harper & Row, Publishers, Inc. v. Nation Enterprises, 471 U.S. 539, 547-549 (1985), entre otras.
Survivor Prods. LLC v. Fox Broad. Co., 2001 U.S. Dist. LEXIS 25512, at *2-3 (C.D. Cal. June 12, 2001).
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