Visual culture and social imaginary in the weekly magazine ‘El Perú Ilustrado’: ‘Ellas’, the captives, and ‘ellos’, the heroes

Authors

  • Emma Patricia Victorio Cánovas Universidad Nacional Mayor de San Marcos https://orcid.org/0000-0002-9733-372X

    Magíster en Arte Peruano y Latinoamericano por la Universidad Nacional Mayor de San Marcos (PUCP). Licenciada en Arte por la PUCP y en Educación por la Universidad Peruana Cayetano Heredia. Directora de la Escuela Profesional de Danza de la Facultad de Letras y Ciencias Humanas de la PUCP, y profesora en la Facultad de Arte y Diseño de la Pontificia Universidad Católica del Perú.
    E-mail: evictorioc@unmsm.edu.pe.

DOI:

https://doi.org/10.18800/revistaira.202501.004

Keywords:

El Perú Ilustrado, Captive cities, Illustrated press, War of the Pacific, Visual culture, 19th century

Abstract

El Perú Ilustrado, published in Lima between 1887 and 1892, positioned itself as a unifying national force, aiming to foster feelings of belonging and identity during the post-war period. A recurring theme in its pages was the aftermath of the conflict, depicted through images of captive cities and the glorification of fallen heroes on the battlefield. The research seeks to reveal an implicit gender discourse in the weekly magazine, where the cities are portrayed as maidens in the hands of the enemy, while the heroes take on a masculine role; despite their strength and sacrifice, they let the cities go—in other words, they lost them.

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Published

2025-05-29

How to Cite

Victorio Cánovas, E. P. (2025). Visual culture and social imaginary in the weekly magazine ‘El Perú Ilustrado’: ‘Ellas’, the captives, and ‘ellos’, the heroes. Revista Del Instituto Riva-Agüero, 10(1), 93–129. https://doi.org/10.18800/revistaira.202501.004

Issue

Section

Dosier: La posguerra del Pacífico: Tacna, Arica y Tarapacá