Romero, Raúl. All musics. Sound and cultural diversity in Peru. Ethnographic Studies Series. Volume 8 Lima, PUCP Institute of Ethnomusicology 2017. 296 pp

Authors

  • Guillermo Nugent Universidad Nacional Mayor de San Marcos

    Master in Sociology from the Latin American Faculty of Social Sciences, Mexico. Bachelor of History from the Pontifical Catholic University of Peru. Candidate in the Peruvian Society of Psychoanalysis. He was director (e) of the Place of Memory, Tolerance and Social Inclusion (LUM). His areas of interest are the sociology of culture, social theory, and psychoanalysis. Among his publications are Wrong and Wandering. Modes of communication in Peruvian culture (2016) and El Laberinto de la choledad. Pages to understand inequality (2012, 2nd edition). He has taught at national and foreign institutions. He is currently a teacher at the School of Sociology of the National University of San Marcos. Mail: guillermo.nugent@gmail.com

DOI:

https://doi.org/10.18800/anthropologica.201801.013

Keywords:

ethnomusicology, sonority, identity, andean, creole, fusion, classical, globalization

Abstract

The book All musics. Sound and cultural diversity in Peru, can be described as a foundational work. It is made up of ten essays that develop multiple musical scenes; the Andean predominates, but Creole, Afro-Peruvian, classical music and a field of musical fusion are also included. This work by Romero lays the foundation for the creation of a new field of study: ethnomusicology in Peru.

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Published

2018-07-17

How to Cite

Nugent, G. (2018). Romero, Raúl. All musics. Sound and cultural diversity in Peru. Ethnographic Studies Series. Volume 8 Lima, PUCP Institute of Ethnomusicology 2017. 296 pp. Anthropologica Del Departamento De Ciencias Sociales, 36(40), 239–243. https://doi.org/10.18800/anthropologica.201801.013

Issue

Vol. 36 No. 40 (2018): Andean musical practices at the beginning of the 21st century

Section

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