Intercultural Spacing: The Construction of Symbolic Territory and Its Ethical-Aesthetic Cartographies as Visual Memory of Belonging Processes in Lima Metropolitana

Authors

  • Karla Villavicencio Monti Pontificia Universidad Católica del Perú

    Doctora en Arquitectura por la Universidad Europea de Madrid y Licenciada en Arte por la PUCP. Es profesora auxiliar de la Facultad de Arte y Diseño de la Pontificia Universidad Católica del Perú desde 2017. En 2007-2008 fue asistente de investigación para el curso «Elementos del Proyecto Arquitectónico» en la Facultad de Arte y Arquitectura de la Universidad Europea de Madrid. En 2014 dirigió su documental ImaRginäre Städte / Ciudades imaRginales, que recibió el Premio StartStipendium financiado por el Ministerio de Arte, Cultura y Educación de Austria. En 2019 tuvo una estancia de investigación postdoctoral DARI-KAAD en la Universidad de Arte de Berlín y en 2020 dictó cátedra como profesora visitante en la Carrera de Arquitectura de la Universidad de Arte de Berlín. Al desarrollar sus proyectos interdisciplinarios, enfatiza los valores ético-estéticos y urbanos de los asentamientos en las periferias de la ciudad de Lima, promoviendo la visualización del patrimonio cultural inmaterial, que se inserta en la memoria visual y simbólica de estos procesos.
    La autora agradece a la Dra. Susanne Hauser y al Akademischer Ausländer-Dienst (KAAD) y a la Dirección Académica de Relaciones Institucionales (DARI) de la PUCP, por la estancia postdoctoral de investigación en la UDK Universität der Künste Berlín durante el año 2019.
    Correo electronico: karla.villavicencio@pucp.pe

DOI:

https://doi.org/10.18800/kawsaypacha.202001.002

Keywords:

Architecture, Art, Urbanism, Symbolic Territory, Metropolitan Lima

Abstract

It is attempted to show the possibilities of symbolic representation under an interdisciplinary approach, from Art and Architecture applied to the peripheral problems of the environment and to their reconstruction from the territory, evidencing a symbolic heritage based on the production of cartographies that show ethical-aesthetic values as a possibility of representation of the visual memory contained in the belonging processes occurring in the city of Metropolitan Lima.
How could we view these reconstruction processes made by our memory around the spaces where we live and participate or how could migration paths be evidenced from that perspective?
A methodology is proposed based on three phases of recognition of a personal route of rearrangement of individual history which starts from topographic knowledge of the territory in the reconstruction of personal experiences, to develop then cartographic sketches for the viewing of their implication in the reading of migration processes, as well as collective problems.
This methodology will be explained through the development of three specific projects. Individual visual and installation artworks «De Reducto n. 2 a la Portada de Maravillas: Hacia el Descanso», «La Ruta de 50 Años» and Group Project «CO(HABITAR)».
It can be recognized that the viewing of migration processes, from their symbolic aspects, represent diverse variants of recognition of the events experienced in the territory implying various layers of a reading that before being illustrative could be viewed through the processes of artistic expression, depending on the different origins of their participants and their experiences in the city. Those processes reconstruct the time lived as a cartographic set that can be viewed.

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Published

2020-09-08

How to Cite

Villavicencio Monti, K. (2020). Intercultural Spacing: The Construction of Symbolic Territory and Its Ethical-Aesthetic Cartographies as Visual Memory of Belonging Processes in Lima Metropolitana. Revista Kawsaypacha: Sociedad Y Medio Ambiente, (5), 35–63. https://doi.org/10.18800/kawsaypacha.202001.002

Issue

Section

ACADEMIC ARTICLES AND ESSAY