Theater Show O Miolo da Estória

Convergence Between Reality and Theatrical Fiction

Authors

  • Raylson Silva Da Conceição Universidad Federal del Estado de Río de Janeiro https://orcid.org/0000-0002-5188-1261

    PhD student at UNIRIO. Master in Performing Arts with concentration in the theatrical area, along with the Graduate Program in Performing Arts at UFMA in the line of research "Pedagogy of Performing Arts, Reception and Cultural Mediation" where he developed the study called "THE ENCOUNTER: from the event to a attentive look - the show O Miolo da Estória", with its defense in September 2021. Graduated in Theater from the Federal University of Maranhão - UFMA (2017). He has a specialization in Art, Media and Education from the Federal Institute of Education, Science and Technology of Maranhão - IFMA (2021). He has teaching experience in regular Brazilian basic education, theatrical direction and lighting as well as actor preparation. From 2013 to 2014 he participated in the Cena Aberta Research and Extension Group, developing artistic productions, extension and research. He seeks to participate in local, national and international scientific events. He currently lives in Colombia where he develops research on decolonial and anthropophagic theater with some theater groups from Bogotá and Maranhão.
  • Tania Cristina Costa Ribeiro Universidade Federal do Maranhão https://orcid.org/0000-0001-9658-3172

    PhD in Art, with the Graduate Program in Art at UnB, in the line of research "Compositional Processes for the Scene", with the study "Is it a Portuguese dance, for sure? A study on forms of belonging, creation processes and influences on Portuguese Dance in Maranhão (2016). Conducted research through a doctoral sandwich scholarship at the University of Human Motricity/Postgraduate Program in Dance-University of Lisbon-PT. Master in Social Sciences, with concentration in the field of anthropology , developed the study entitled "Behind the scenes of contemporary dance: a study on corporality and forms of sociation", which was defended in March 2008. Graduated in Artistic Education/Performing Arts from the Federal University of Santa Maria (1995). Assistant Professor III at Federal University of Maranhão, assigned to the Department of Arts, has experience in the area of Performing Arts, with an emphasis on Art Education, working in the following areas: dance, culture and culture. body language, body expression, popular culture, methodology and visual arts. From 2003 to 2010 she coordinated the Acaia-group of practices and body studies with students from that institution, developing artistic productions, extension and research. Active in extension projects, she coordinated the project "Terreiro em festa" from 2003 to 2012, a project made official by the institution. She was a member of the GEASC (2004) Study Group on Anthropology and Contemporary Society, a group dedicated to discussions, research and scientific production on the body, risk and sexuality, including students and professors of that institution. Seeks to participate in local, national and international scientific events. She develops research with her students, focused on the culture of traditional and contemporary popular dances. She shared with the extension project "Arte na Escola" linked to the Institute of the same name, as pedagogical coordinator and general coordinator (2008-2012). She participated in the experience ahead of the Degree in Theater course (2010-2011), distance mode (PROLICEN), as general coordinator. She is currently developing research involving: art teaching in Maranhão and hybridity in popular dances. At the moment, she coordinates the Art at School Pole with continuing education actions with teachers / res from primary schools and former students.

DOI:

https://doi.org/10.18800/kaylla.202301.014

Keywords:

Theater, Analyze, Autoethnography, Senses, Theatrical Reception, boundary

Abstract

This work analyzes the Brazilian theatre play, O Miolo da Estória (The Core of the Story), produced by actor Lauande Aires, through an autoethnography with reflections on my own sensory experiences during the reception of this play, which took place in 2013. In this article, we rescue our memories, dialoguing with the studies of the theorists Santaella (2012) and Merleau-Ponty (1999) on perception, Larrosa (2014) on experience, and Michel Serres (2001) on the skin as the boundary between the body and the world. The relevance of this study is supported by the observation of the functioning of the sensorial senses at the moment of theatrical reception. As a conclusion, the work improves the understanding that this play is composed of two worlds that mix the local culture and the theater.

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Published

2023-11-13

How to Cite

Silva Da Conceição, R., & Costa Ribeiro, T. C. (2023). Theater Show O Miolo da Estória: Convergence Between Reality and Theatrical Fiction. Kaylla Journal of Performing Arts, (2), 246–261. https://doi.org/10.18800/kaylla.202301.014

Issue

No. 2 (2023): Kaylla N°2 – Scenic practices, scenes of equality and worlds in common

Section

DOSSIER: Prácticas escénicas, escenas de igualdad y mundos en común

License

Copyright (c) 2023

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Los derechos de autor de cada trabajo publicado pertenecen a sus respectivos autores.

Derechos de edición: Pontificia Universidad Católica del Perú.