The Production of a Documentary Recording Process on Group Theater Phenomena in São Paulo and in the Capitals of Brazil

Authors

DOI:

https://doi.org/10.18800/kaylla.202501.005

Keywords:

Group theater, Creative processes, History, Brazil

Abstract

This article describes some aesthetic and pedagogical characteristics of theater companies working in the state of São Paulo and in the Brazilian capitals. Since 2018, a group of researchers has established, through networks, contact with hundreds of companies, in order to learn more about their history, creative processes, most significant theoretical references, important partnerships and the role of theater for them. This text sums up some of these results.

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References

Mate, A., Aquiles, M., Cabral, I., Gama, J., & Londero, E. (Orgs.). (2020). Teatro de grupo na cidade de São Paulo e na grande São Paulo: criações coletivas, sentidos e manifestações em processo de lutas e de travessias. Associação dos Artistas Amigos da Praça.

Mate, A., Aquiles, M., Cabral, I., Gama, J., & Londero, E. (Orgs.). (2023). Teatro de grupo em tempos de ressignificação: criações coletivas, sentidos e manifestações cênicas no estado de São Paulo. Associação dos Artistas Amigos da Praça - Selo Lucias.

Bosco, J., Cícero, A., & Salomão, W. (1991). Zona de Fronteira [música]. Columbia/Sony Music.

Do Pandeiro, J. (1959). Chiclete com Banana [música]. Gravadora Polyfar.

Tapajós, M., & Pinheiro, P. C. (1972). Pesadelo [música]. Universal Music.

Published

2025-11-14

How to Cite

Mate, A., & Aquiles Fiamengui, M. (2025). The Production of a Documentary Recording Process on Group Theater Phenomena in São Paulo and in the Capitals of Brazil. Kaylla Journal of Performing Arts, (4), 80–88. https://doi.org/10.18800/kaylla.202501.005

Issue

Section

DOSSIER: History Discussed by Performing Arts