Trilogy in Minor Solos

ATeliê voadOR/Brazil Scenic Practices

Authors

  • Djalma Thürler Universidade Federal da Bahia https://orcid.org/0000-0002-9161-0300

    Es profesor permanente del Programa de Posgrado en Cultura y Sociedad y profesor colaborador del Programa de Posgrado en Artes Escénicas de la Universidad Federal de Bahía (UFBA).
  • Duda Woyda Universidade Federal da Bahia https://orcid.org/0000-0003-0561-2666

    Doctorando del Programa de Postgrado en Cultura y Sociedad de la Universidad Federal de Bahía (UFBA).

DOI:

https://doi.org/10.18800/kaylla.202301.007

Keywords:

ATeliê voadOR, Lab Theater, Scenic Practices, Society and Politcs

Abstract

This article intends to re?ect on the relationships between art, society, and politics in the laboratory practices of ATeliê voadOR. Thus, it is intended to analyze the discursive and performative strategies, focusing on three of its solo shows: Three Cigarettes & The Last Lasagna, The Other Side of All Things, and An Impossible Woman, and how these perform the critical function of encompassing and reshaping the dynamics of con?guring a more just and democratic society in Brazil from the first decade of the 21st century.

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Published

2023-11-13

How to Cite

Thürler, D., & Woyda, D. (2023). Trilogy in Minor Solos: ATeliê voadOR/Brazil Scenic Practices. Kaylla Journal of Performing Arts, (2), 123–129. https://doi.org/10.18800/kaylla.202301.007

Issue

No. 2 (2023): Kaylla N°2 – Scenic practices, scenes of equality and worlds in common

Section

DOSSIER: Prácticas escénicas, escenas de igualdad y mundos en común

License

Copyright (c) 2023

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Los derechos de autor de cada trabajo publicado pertenecen a sus respectivos autores.

Derechos de edición: Pontificia Universidad Católica del Perú.