The audiovisual content industry and digital platforms: An analysis from the perspective of antitrust law

Authors

  • Pablo Márquez Márquez Barrera Castañeda & Ramírez Consultores

    Abogado y filósofo. Magíster en Economía por la Pontificia Universidad Javeriana de Bogotá, Master of Laws (LL.M.) por la Harvard Law School y doctor en Derecho de la Competencia (Ph.D.) por la University of Oxford. Ex Director Ejecutivo de la Comisión de Regulación de Comunicaciones de Colombia (CRC) y ex Superintendente Delegado para la Protección de la Competencia en la Superintendencia de Industria y Comercio de Colombia (SIC). Socio fundador de Márquez Barrera Castañeda & Ramírez Consultores (Bogotá, Colombia).
    Contacto: pablo@marquezbarrera.com

  • María Fernanda Arciniegas Departamento Nacional de Planeación de Colombia

    Abogada. Master en Política Pública (M.P.P.) por la University of Oxford. Ex Asesora de Política Pública en la Unidad Contra la Manipulación en Internet del Department for Digital, Culture, Media & Sport (DCMS) del Reino Unido y ex aso-ciada sénior en Márquez Barrera Castañeda & Ramírez Consultores. Asesora del Grupo de Modernización del Estado del Departamento Nacional de Planeación (Bogotá, Colombia).
    Contacto: mfarciniegas89@gmail.com

DOI:

https://doi.org/10.18800/themis.202002.024

Keywords:

Audiovisual content, digital platforms, streaming, free competition, Superintendencia de Industria y Comercio

Abstract

Recent technological developments have led to important changes in the competition dynamics of the audiovisual content industry. The digitalization and easier access to the internet have increased the supply and demand of these types of products. The entry of new economic agents and new production and distribution methods must force us to reconsider the applicable antitrust policy for this industry.
In light of this, this paper proposes we focus the analysis on the competition between suppliers for the consumers’ attention. Consequently, the authors explore the definition of relevant market in the audiovisual content industry and digital platforms traditionally welcomed by Latin-American, European and American regulatory bodies and competition agencies (with a special emphasis on the acquisition of 21st Century Fox by Disney), as well as analyze the way these work and the possible obstacles to free competition inside them.

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Published

2020-09-13

How to Cite

Márquez, P., & Arciniegas, M. F. (2020). The audiovisual content industry and digital platforms: An analysis from the perspective of antitrust law. THEMIS Revista De Derecho, (78), 457–483. https://doi.org/10.18800/themis.202002.024

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