Before and after Netflix? Changes in the production and narratives of serial fiction in Argentina (2013-2022)

  • Mónica Kirchheimer Universidad Nacionalo de las Artes, Argentina

    Mónica Kirchheimer es doctora en Ciencias Sociales por la Universidad de Buenos Aires (UBA), y docente investigadora en la Universidad Nacional de las Artes (UNA) y en la UBA. Su área de investigación es arte y medios; se focaliza en narrativas televisivas y poéticas animadas. Dirige e integra proyectos de investigación nacionales e internacionales en torno a los problemas de producción y circulación de la narrativa audiovisual. Actualmente, dirige el Instituto de Investigación y Experimentación en Arte y Crítica del Área Transdepartamental de Crítica de Artes de la UNA.

    m.kirchheimer@una.edu.ar

  • Ezequiel Rivero Universidad Nacional de Quilmes, Conicet, Argentina

    Ezequiel Rivero es doctor en Ciencias Sociales por la Universidad de Buenos Aires (UBA) y magíster en Industrias Culturales por la Universidad Nacional de Quilmes. Es docente en la Universidad Nacional de Tres de Febrero (UNTREF) y en la Universidad de Ciencias Empresariales y Sociales (UCES). Becario posdoctoral del Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET). Investiga sobre industrias culturales en convergencia.

    erivero@uvq.edu.ar

     

Keywords: Serial fiction, Platforms, Video on demand, Broadcast television, Fictional narratives

Abstract

Argentine serial fiction has lost presence on open television in the country during the last decade. It is a multi-causal phenomenon that, however, finds a milestone in the disruption of global video-on-demand platforms as producers of local fiction as of 2018, a fact that allows us to understand the mutations of Argentine fiction both in terms of production and narratives. The aim of this paper is to describe and analyze the mutations in both dimensions in the period between 2013 and 2022, a time frame that allows a reading before and after the disruption of the platforms. It is based on a mixed methodological design that combines the evolution of market data with the analysis of fictional narratives. The conclusions highlight the central finding of the work: the extinction of serial fiction from the open television screen, and its recreation from other formats and thematic and narrative keys on large video platforms.

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How to Cite
Kirchheimer, M., & Rivero, E. (2023). Before and after Netflix? Changes in the production and narratives of serial fiction in Argentina (2013-2022). Conexión, (19), 105-131. https://doi.org/10.18800/conexion.202301.005