Parodia y desmitificación en la poesía de Luis Hernández

Authors

  • Ricardo Mendoza-Canales Universitat Autònoma de Barcelona

DOI:

https://doi.org/10.18800/lexis.200902.003

Keywords:

parody, demystifying, displacement, intertextuality

Abstract

Despite of his desire for inscribing himself into a Modern (Romantic) poetic tradition, Luis Hernandez’ poetry reveals an inner tension as a result of fragmentation of postmodern subject. This essay studies the use of parody in Luis Hernandez’ poetry as a discursive strategy that plays a double dissemination: on the one hand, parody demystifies the standard conventions of his time about poetry and poetic language as a belle art and about the notion of author as the ultimate redoubt of signification. On the other hand, in Hernandez’ poetry, parody opens the field of meaning ISSN 0254-9239256 Lexis  Vol. XXXIII (2) 2009just for including intertextual and cultural features that dissolve, in poetic praxis, the division between high and mass culture.

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Published

2009-04-03

How to Cite

Mendoza-Canales, R. (2009). Parodia y desmitificación en la poesía de Luis Hernández. Lexis, 33(2), 255–286. https://doi.org/10.18800/lexis.200902.003

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Section

Articles